Dharmic and traditional societies had a wonderful and decentralized way of teaching worldviews and lifestyles which were necessary not just for their own survival but also for a harmonious co-existence with Nature.
Morena witnessed the last great bout of temple-building activity in the Kachhapaghata Era, lasting from the late 10th century to late 12th-century C.E.
The artist is missing from these marvelous pieces of art. The ideal of the Indian artist was to conform to the rules laid down by the great masters and not to create something radically new.
Indian Art stands on one end of the spectrum. Rather than glorify the individual artist, it works for creating entire cultures with specific characteristics.
Author writing on art, aesthetics, history, Hindu architecture and literature, currently working as Ass. Professor at Rashtram School of Public Leadership. He is also the Director of Indic Academy-Rashtram Center for Cultural Leadership