Nagaridas’s lyrical brushstrokes paint not just the divine, but the earthly too. His poetic lens captures the heartbeat of a town pulsating with diverse occupations, blending economic vitality seamlessly with spiritual devotion.
Yantra schemes reveal symbolism of abstractness corresponding to different aspects of aesthetics as included in the lines of their outlay and displayed as a final striking synthesis of precise interweaving of illustrative element and their fundamental patterns.
Agni Purana is one of the oldest repositories which is to be considered as a treatise for architecture in Indian
context.
घोड़ों को भारतीय वाङ्मय में सदैव ही महत्व प्रदान किया गया है। प्राचीन समय में वीर योद्धा अच्छी नस्ल के घोड़ों से खींचने वाले रथ पर युद्ध करते थे अथवा उनकी पीठ पर सवारी कर संग्राम किया करते थे। अतः यह स्वाभाविक है कि प्राचीन भारतीय इतिहास में घोड़ों का एक व्यापक साहित्यिक वर्णन हमे प्राप्त होता है।
The Vesara style is a gem in the area of Indian Temple architecture of which we Indians should be proud of as it is a remarkable Indian achievement in the field of art, architecture, mathematics, religion, philosophy, and engineering.
Sushant ‘Chaitanya’ Bharti talks about the contribution of Shri Narayan Bhatt in redefining pilgrimage in the 16th Century Braj. The paper was presented at the Yatra Conference jointly organized by Indic Academy and Bharat Adhyayan Kendra, BHU, at BHU, Varanasi during 15th-17th November, 2019.
Sushant Bharti is a Conservation Architect graduated from School of Planning & Architecture, New Delhi with Bachelor’s degree in architecture from Vastukala Academy College of Architecture, New Delhi. He has a keen interest in understanding the cultural aspect of India along with the architectural diversity. His main area of research is 'Cultural Heritage of Braj' and 'Indian Temple Architecture'. He is also a Chitra Visharad in Fine arts (Painting) from Pracheen Kala Kendra, Chandigarh. Currently he is working as a Research Assistant at National Museum Institute, National Museum, Janpath, New Delhi.
